Although not an issue, squeeze the sides of the EVO 4 and you can feel that the plastic is relatively thin, however, it all seems robust enough to survive in a kit bag. The EVO 4 looks great and has a nice matt black finish, the dials and buttons all feel good, and overall it’s of a decent quality. Loopback enables you to record from external sources such as microphones and internal sources such as Skype, Zoom or anything else you wish to imagine. This is an application that enables one of the biggest features of the EVO 4 that will appeal to videographers. The two combi connectors go into two mic preamps, and the signal level can be reduced by 8db and boosted by 50db.Īlong with the EVO 4 comes the EVO software. On the front, there’s a headphone socket and instrument input. Then there’s left and right speaker outputs and the USB Type-C port. On the back of the box are two combi connectors for XLR or Line-Level device inputs, essentially microphones or instruments. This comes into action once a button is pressed, the dial can be used to increase or decrease gain and mix audio output. Many microphones can be phantom powered, and by pushing the button in the top right, you enable 48V over USB Bus.ĭominating the EVO 4 is the large dial in the middle. The settings button on the right of the box enable you to adjust the mix between the two tracks and is used for monitoring through headphones. A short press of each enables you to adjust the input levels manually or you can hold down the button to mute the input completely. Once pressed, it’s just a case of starting to speak, and the box will set the input level for each mic.Įach channel is marked with a number, 1 and 2. SmartGain is, for example, is ideal for those just starting, and hands the control of the audio gain to the EVO 4. The EVO 4 looks incredibly simple, but the variety of exterior buttons gives you direct access to some powerful features. The EVO 4 then sounds like a no brainer, but can it be that good? After all, it costs less than £100.Īudio interfaces are clever bits of kit enabling the user or audio engineer to tweak settings so a variety of audio sources can be recorded at the same time.Īudio levels or gain can be adjusted as well as the track mixes, enabling the live recording of tracks that can easily be mixed down later. What I’m describing might seem simple, but try recording the audio of two people with basic kit, and you’ll soon see how tricky it can be – especially when trying to get the levels and audio quality right. The gain can be adjusted on the EVO 4 to ensure the best quality balance and audio input. Set up the two mics for an interview, for instance, plug them into the EVO 4, connect to an application such as Audition, and check the levels are all correct and record. The EVO 4 steps in to simplify the process. You need to balance the levels of each input, and then once that audio is captured mix it down and apply the audio tracks to the video. Take any of these scenarios an interview with an interviewee and interviewer, a simple podcast with a guest or co-presenter, or for that matter, filming a musician playing an instrument and singing.Īlthough this all sounds quite simple, getting each person or mic wired up correctly is quite technical. This is where the power of the EVO 4 comes in. How do you record great-sounding voice-overs, and what happens if you need to record more than one audio input? However, as we’re all getting more accustomed to producing professional-level video, audio is becoming a major focus. Many of us rely on the basics, a mic attached to a camera or external audio recorder, then a secondary track added for music or effects. With the default sound device, ableton only shows the stereo mix channels.As photographers and videographers, we often overlook audio, which is ridiculous as audio can make or break a production. This seems to work with the new ASIO drivers.
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